Alinaghi Vaziri

 

Avaz Bayat esfahan 1-2

Avaz Dashti 1-2

Dastgah Mahoor 1-2

Chahar Mezrab Mahoor (1)

Chahar Mezrab Mahoor(3)

Dastgah chahrgah - Dokhtarake julideh-1-2

Kolonel Alinaghi Khanvaziri has been a composer, a player of tar and setar, a researcher and one of the greatest musicians of Iran who has an important role in the scientific music of this country.

Of the collection of works by professor Kanal Alinaghi Khanvaziri, there exist the gramophone records of solo composing. According to Rough-ol-lah khaleghi (whose soul may be happy), these works are made to be composed by tar and none of them are extempore playing except one side of the chaharbagh gramophone record.

This collection is transcripted from these gramophone records and since the professor has named the solo composing in Isfahan “the high Radif of Isfahan ", live named this collection the Radif of high course of Vaziri. This collection consists of Bayat Isfahan's singing which is performed in " sel " tonalitation  and it has the musical gymnastic at the beginning, Mahoor system which is performed in " sel " tonalitation and it is started with the " Hazerbash " Ghet'e, Chahargah system which is performed in " R " tonalitation and it is started with the " Dokhtarke Joulideh " Ghet'e . The considerable point is that the professor has performed these four performances by one tuning.

In this collection, I transfer the "R" chahargah to "Do" chahargah to have more capability to be performed.

Of course, in this transference, there is no charge in different parts except one part in which there is a change.